Capriccio editor is available through internet since 2010. Day after day scorewriter is being downloaded by its users all over the world. Capriccio is used to write jazz arrangements, illustrations to the science articles, choir score, cameral music papers. Today, Capriccio is used not only by amateurs, but also conductors all over the world.
Capriccio scorewriter is the fully functional score editor. It works with multiinstrumentation and polyphony. It also allows insertion many other music signs like articulations, change of tonation, harmony signs, upbeat. Music text may be inserted with mouse, keyboard, MIDI keyboard. Capriccio also gives oportunity of hearing score, exporting it as picture or MIDI.
Capriccio is avaible in many versions. I.e. it’s avaible for free for personal usage from the website www.cdefgabc.com. It is really free and requires no activation codes. There is also avaible free online version. Scorewriter may be downloaded for free, however it is still maintained and developed. New functions are being made almost every week. You may write to author of the program by email. There is also Capriccio official forum. All problems or future idea is being thinked over by the creator. Because of the Java tool, Capriccio may be used on some platforms for example Windows and Linux. There is also professional version of the program, that makes work faster, more comfortable. See more information about professional version on programs www site.
The idea of the project was the easiness of usage. When program starts it’s already ready for click and enter a note. Capriccio will automatically make the composition . Tacts will be automatically divided into systems and into pages. There are also opportunity of making custom look of score. That is why no manual is needed to create score in Capriccio – everything is so easy to make. Capriccio is typical WYSIWYG program. WYSIWYG means “what you see is what you get”. That is why it’s the simples way to create a music document. That makes Capriccio the great alternative to high price unintuitive commercial programs like Finale or Sibelius. Our scorewriter is the great oportunity for education institutions. It is translated to German and English.
Term “Capriccio” comes from Latin (whin, caprice). It refers to the simplicity. The music form of Caprice appeared in Renaissance. In XVII it splitted into to forms of: etude and short lyric, instrumental piece. The most famous Capriccio’s are Capriccio Espagnol by Rimski Korsakov (op. 34), Italian Capriccio by Peter Tchaikovsky (op. 45) and Capriccios of Henry Wieniawski or Niccolo Paganini.
The ancestor of the musical notation is the neumes notation, that appeared about the 8th century . The cantor presented notation with his hands. Firstly the neumes were written on single line. Then another, blue line appeared, and so endly four lines were used. This notation didn’t specify the rhythm in any way. However, it turned out to be so convenient that it is used up till today to to note the Gregorian chants. . A lot of time had to pass until the modern notation. About 13th century in Notre Dame a new form of notation appeared. The notes looked aplty and there were only a few rests. Since then a couple of mensural notations emerged. Also the tablatureHave also to mention tablatures. They looked similar to the todays guitar tablatures, but the historical ones had the marking more developed and used special characters to mark frets). In the 17th century a new method of writing score turned up. It was closer to the notation, we know today, however the look of the notes were still not modern. Score writing evolved heavily till the 18th century and we can say , it is still evolving even today. Every music creator tries to create something different, something new, something that is “above” the form. Each composer has another handwriting. That has an impact on the commonly approved shape of notes. Moreover, in the 19th century fashion for an original form was found and actually it lasts even today. To demonstrate the disorder created by this vogue, let us mention, that there are score handwritings which are created in a very abnormal way, in which the main assumption is the freedom of performer’s interpretation. Fortunately this “notation spree” has been dragged thanks to the need of simplicity. In the Capriccio Note Editor you are able to use the classic musical notation, thanks to which you are able to create any ancient work as well as the majority of the modern pieces.
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